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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 19, 2018

Exclusive! First Names Announced for the JazzLeeds Festival 2018 July 20- 24

(Press release)
Our second JazzLeeds festival is going to be a bit bigger than the first! We’ve grown from that one day in Millennium Square in August last year to five days this year at the Wardrobe, Leeds College of Music and TWO days in Millennium Square. We’re featuring international stars but also featuring some of the musicians and stories from this great city of Leeds.

·        Topping the bill at JazzLeeds Festival 18 is Soweto Kinch – saxman, rapper, BBC jazz broadcaster – at the Wardrobe on Friday evening 20 July.

·     International jazz star (and former stand-up comedian!) Ian Shaw will be here with his trio with music from his new album Shine Sister Shine at the College of music on the afternoon of Sunday 22 July.

Sunday, February 18, 2018

Paul Booth w. Strictly Smokin' Big Band @ Alphabetti Theatre, Newcastle - February 17

(Review by Lance).
The Alphabetti Theatre was sardine-can full - standing room only. They couldn't have had a bigger audience if it had been the RSC doing Hamlet with Sir Kenneth Branagh as the Prince of Denmark.
Substitute SSBB for RSC, Paul Booth for Sir Kenneth and As You Like it for Hamlet and the scene is set. This was certainly As WE Like it and the Shakespearean analogy was complete with the gig being promoted by the Jazz Coop whose regular HQ is The Globe.
Act One: 
Scene One.
Mexicali Nose. The Buddy Rich arrangement featured Paul Gowland who reminded us that there was more than one ace tenorman in the room tonight.
My Heart Belongs to Daddy. Alice Grace in good voice despite being slightly under-amplified. Steve Summers on alto.
Scene Two.
Song for AEG. Time for the featured artist, Paul Booth, to take centre stage (actually stage left) and he didn't disappoint on this, a composition by Tom Garling. Great tenor sound with hints of Hank Mobley and early Coltrane. Booth doesn't charge in but paces himself gradually building the tension and culminating with a flurry of notes encompassing the whole natural range of the instrument and beyond into the stratospheric world of harmonics. And this was just the beginning!

Saturday, February 17, 2018

Graham Hardy Trio @ Bishop Auckland Town Hall - Feb 16

Graham Hardy (trumpet & flugelhorn); Dean Stockdale (piano) & Mick Shoulder (double bass)
I had a rare free afternoon that followed a jazz festival organising week, so I decided to take the short trip from Darlington to Bishop Auckland to catch the regular monthly offering at the Town Hall. Three musicians that will be taking part in the Darlington Festival were on fine form for this recital. Graham contrasted his mellow trumpet and flugel with Harmon mute and his recent pre-gig addition of a £2 plunger from Wilko with free handle – he did offer the handle as a raffle prize. Dean and Mick were fantastic in support and quality came through from the trio in every number.
The program included: Ellington, Golson and Gershwin – My Romance, If I Should Lose You, Mood Indigo, In a Mellotone, Whisper Not, Long Ago and Far Away, Someone to Watch over Me and a Tom Harrell number April Mist to encore. There was an appreciative audience with good numbers in attendance. This was an enjoyable hour spent listening to quality musicians and I am looking forward to hearing them again at Darlington in May.
Shaune Eland     

Mark Williams Trio @ The Lit & Phil, Newcastle - Feb 16

 Mark Williams (guitar); Paul Susans (bass) & Russ Morgan (drums)
(Review by Russell/Photos courtesy of Ken Drew)
The Lit & Phil’s monthly Friday lunchtime concert series attracts a loyal following. Most of the time those in attendance have a fair idea of what to expect – typically straight ahead, GASbook, swing, an occasional Hot Club set. February’s concert presented the Mark Williams Trio. Some would be acquainted with Williams’ work as a supreme guitar accompanist to the jazz singer, some less so with the Irishman’s propensity to occasionally crank it up. The presence of two pedal boards (one at the feet of Williams, the other at the feet of in-the-pocket bassist Paul Susans) indicated today’s performance would be a little different. What would the Lit & Phil’s patrons make of it all?

Crooners - Whitley Bay Playhouse - February 16


Roman Marek, Jim Whitley. Phil Barley (singers).
Chris Hibbard (trombone); Jon Hibbard (alto); Jim Corry (alto); Simon Kaylor (tenor); Damian Bell (trumpet); Daniel Hammerton (trumpet); Jason Scott (piano); Paul Baxter (bass); Dave Hockman (drums).
(Review by Lance).
A fun evening packed with pratfalls, bawdy humour, fine singing and a stonkingly good band. The band were deserving of a feature, perhaps in the form of an overture; all good musicals have an overture* and, on the strength of the occasional short solo these guys, co-led by the Brothers Hibbard, were well up to the task.
The three singers did the job effectively being themselves or, as the occasion demanded, Frank, Dean and Sammy.

Friday, February 16, 2018

Zoë Gilby & Andy Champion @ Empty Shop, Durham - Feb 15

Zoë Gilby (vocals) & Andy Champion (double bass)
(Review by Russell).
It was cold. See photo of Zoë and Andy togged-up. At one point, Andy considered playing with his gloves on! Durham’s Empty Shop was a tad cad. The bar was warm enough with the door closed and a heater working overtime. A bottle of Pavlov’s Dog (Yes, Master…), ‘hello’ to Carlo and co.

The Rebel Yell Jazz Orchestra play 'Fellini 712' and the music of The Kenny Clarke - Francy Boland Big Band @ The Spice of Life, Soho - January 17

(Review by JC)
Some time in the mid-1970s I was sitting quietly in the back of a friend’s car when, having carefully spooled the tape tight with his biro, he slipped a cassette into the player on the dashboard and my head was nearly blown off by the huge big band sound coming out of the speakers on the rear shelf. It was one of the most fantastic sounds I had ever heard and it turned out to be the Kenny Clarke/Francy Boland Big Band. Despite my best efforts my friend, Rick, resisted all my pleas to borrow the tape. However I never forgot that moment and that sound.

Remembering Bill Brooks.

Colin, our man in Hong Kong, sent me this photo of the late Bill Brooks taken on a visit to Ned Kelly's in 2004.

CD Review: Better Than TV - Song From No Man's Land

Alastair Appleton (sop sax); Gabriel  Bliard (trumpet); Louis Day (trumpet on 3 tracks); Simon Fothergill (trombone); Luke Congdon (piano); Ben Comeau (piano on 4 tracks); Daniel Duffy (guitar); Sergio Contrino (bass); Joe Davighi (drums); Cassie Gorman (voice); Rowan Haslam (cello. voice on 2 tracks).
(Review by Lance).
The second album by this Cambridge based band is somewhat different from the first. Late, reviewed here in 2015, was a tight contemporary sounding quintet whereas this current version is a larger, looser ensemble with bassist Contrino who composed the material the only common denominator.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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